Archive for November, 2011

Derren Brown; Entertainer or Real-Life Super Villain?

Posted in Analysis, Reviews, Television with tags , , , on November 23, 2011 by Gorilla

Serial illusionist and goatee-beard enthusiast Derren Brown recently returned to our screens with his trademark showmanship and mind-boggling feats on The Experiments. This was a four part series on Channel 4, where each week he carried out psychological experiments on members of the public.

He has tried to avoid the low-rent, parlour trick feel that these kind of shows can have, by tying each week’s experiment into a broader theme or story. The first, titled Assassin, explored whether Brown could effectively brainwash your regular man on the street into carrying out an assassination that he would a) not be conscious of doing, and b) not remember afterwards. This experiment was punctuated with the story of Sirhan Sirhan, who, apart from having a really lazy name, is currently serving a life sentence for the assassination of Bobby Kennedy in 1968. He claims to have no recollection of the murder and little memory of the weeks prior, something conspiracy theorists believe indicate that Sirhan was the ‘victim’ of a secret CIA brainwashing programme known as MK Ultra.

MK ULTRA was sadly not an attempt to make the definitive Mortal Kombat game 

The subject for Brown’s attempt to test these claims was plucked from a group of 100 due to his pliable nature, something Brown was able to determine through a number of hypnotic experiments. He was fully aware that he was participating in a show about hypnotism, but the true purpose, to train him up as a deadly assassin, was not revealed. Over the course of the episode we follow the progress of this subject as Brown engages in various techniques to make the man aim and fire a gun at a target when exposed to certain triggers, namely a polka-dot pattern and a really annoying ring-tone.

Seeing your average, trendy t-shirted, stylishly messy haired, Joe Blogs turn into a robotic servant, perfectly capable of killing, is fascinating, and the final stage of this experiment is truly unnerving to watch. The whole episode is Brown at his best; effusive easy going patter, unbelievable psychological trickery, and all of it capped off with a genuine sense of unease as the viewer is left to question; could that happen to me?

Could it happen to me? Could I ever wear something as craptacular as a t-shirt with a tie on it? 

The follow up to Assassin is The Gameshow, which looks at people’s moral flexibility when they are an anonymous member of a crowd. This was explored through the guise of a fake game show, Remote Control, where a studio audience was invited to decide on the events that an unwitting participant, who is followed by a series of hidden cameras, is forced to encounter.

With the options the audience are given there’s always one bad and one good, for example, the first event is whether an attractive girl (played by an actress), who is at the same bar as the participant, should a) flirt with him, or b) accuse him of pinching her bum. Two fairly low level outcomes, neither offering great risk or reward. The audience choose the ‘bad’ option, then watch the scene play out in real time, getting a good laugh out of the misfortune they created. These ‘good’ or ‘bad’ event choices escalate as the show continues, with the reward and risk becoming greater each time.

Unfortunately what the show explores and presents to the viewer at home is nothing particularly new or surprising. It showed that people become more dickish when they have anonymity and won’t be held accountable. A fact well known to anyone who’s ever read the comments on YouTube.

YouTube showing that brevity is the soul of wit. 

What else did it show? That being part of a group causes people to abdicate their responsibility and act maliciously as they ‘go with the flow’? No shit, there’s plenty of anecdotal evidence of that throughout history, from the audience of the Coliseum baying for the blood of the innocents, to the supporters in every football ground around the UK every Saturday.

The lack of fresh insight into this common phenomenon could be forgiven if what we were left with was an entertaining demonstration of it, but sadly the The Gameshow falls short on this mark too. Remote Control, the fake game show the audience are participating in, is designed to resemble your average lowest common denominator Saturday evening brain gruel, with lots of bright lights, scripted comedy banter and even a smooth voiceover man to instruct the audience. This all helps lull them into a sense of comfort and detaches them from reality (they’re on TV, on a game show, nothing really bad happens on game shows!), as well as providing a nauseating specter when the audience participating in light-entertainment turns into a quasi-lynch mob. But there is one fatal flaw to the whole setup; due to the nature of this experiment, we, the TV audience at home who tuned into watch Derren Brown bend our minds, end up spending an hour watching a crap game show full of wankers.

Just like an episode of Hole In The Wall! That’s not fair. Brown’s fake show was much better. 

Out of these two episodes Assassin is far superior. It is more in keeping with Brown’s past exploits where he perpetuates the whole experiment as opposed to The Gameshow where he is simply a catalyst who then lets the audience determine what happens next. Furthermore, the brainwashing was a less familiar subject where the outcome was less certain, whereas you always kind of expect a crowd, when prodded, to turn nasty. The Gameshow simply showed us again that in spite of the foreknowledge that groups can act deplorably, and as individuals we look on and shake our heads, it doesn’t stop us joining the mob when it feels comfortable to do so.

You can watch all four of the The Experiments on 4od bt clicking on this link.

Life’s Too Short: Warwick Davis is the Next Big Thing

Posted in Analysis, News, Reviews, Television with tags , , , , , on November 12, 2011 by Gorilla

“My wife used to work here, but she’s currently going through a divorce situation… With me… so I’ll be needing a new secretary.”

It’s probably fair to say that Ricky Gervais and Stephen Merchant have produced groundbreaking comedy; whether or not you like their particular brand of funny, you can’t deny they’ve changed things. The Office resonated, and the effects are still being felt with numerous copycats popping up like mushrooms, the horrible Horn and Cordon show is just one example, and the American adaptation has been running for eight seasons, as US sitcoms rarely settle for just two.
Ricky Gervais and Stephen Merchant on the other hand, know when to move on, Extras was a hugely refreshing sitcom that looked at the lives of TV and film extras, with Ricky Gervais in the lead role of Andy Millman, a decidedly different character to The Office’s David Brent.

Andy Millman felt like a real person, and while he had all the usual self-absorbed insecurities and egotism (a common theme in Gervais’ work) he was also the hero you could identify with. Extras is perhaps best known for its cameos, a long list of famous celebrities playing grotesque caricatures of themselves. Indeed, the cameos provided most of the comedy in the series, particularly when such prodigious actors like Ian McKellen and Patrick Stuart delivered their dialogue with such stoic and earnest diligence.

Gorilla Film Magazine’s particular favourite Gervais/Merchant comedy is An Idiot Abroad, which isn’t actually a sitcom, but a travel documentary featuring the phenomenon Karl Pilkington, star of the wonderful Ricky Gervais podcasts. In this series, Pilkington must visit the seven wonders of the world, while Gervais and Merchant think up new ways to make the trip as painful and humiliating as possible, everything that Pilkington says and does is genuine, and mind-blowingly hilarious.

The latest sitcom from Ricky Gervais and Stephen Merchant is Life’s Too Short, and in many ways it’s a combination of everything they’ve done before; it’s a faux documentary like The Office, the plot is centered around the world of celebrities, like Extras, and Ricky Gervais and Stephen Merchant take back seat roles, sitting at a desk like mocking lords, just like An Idiot Abroad.

The star of Life’s Too Short is Warwick Davis, who plays a twisted, egotistical version of himself, he allows a documentary crew to film him 24/7 in the hopes that it will give him the exposure he needs to boost his profile. The premise is that Warwick Davis is actually a lot less successful than he would have us believe, in fact his career is going downhill, his wife is divorcing him and he has a massive tax bill to pay. Think I’m Alan Partridge, but with a dwarf, and you’re on the right lines.

Life’s too Short is certainly not as warm as Gervais and Merchant’s other comedies, Warwick Davis’ character isn’t exactly likable, although he is charming and incredibly funny. Of course, it’s difficult to judge after just one episode, and The Office and Extras both needed a little time to grow on you, so perhaps Life’s Too Short will soften up in later episodes. One thing is for certain; the show is incredibly funny, predominately because of Warwick Davis’ performance, although as usual the celebrity cameo will get the most laughs. But in Davis, Gervais and Merchant have struck comedy gold, his charisma and charm only make the comedy that much more painful when he inevitably fails.

He is quite a villainous character as well, spouting out ignorant nonsense, making general misogynistic and homophobic remarks and comparing himself to Martin Luther King. Warwick Davis is an egotistical, backstabbing little schemer, he even runs a talent agency, supposedly hiring out other dwarfs, but keeping the best roles for himself. There’s been some so called ‘controversy’ over the assumption that Life’s Too Short mocks dwarfism, but that’s such a non-issue it’s barely worth talking about. Warwick Davis pokes fun at himself, and other people’s perception of him, and a big part of that is the fact that he’s three foot six.

Life’s Too Short could easily be just a continuation of Extras, but Warwick Davis, who actually contributed a lot of the content for the show, brings something new to the table. He’s a fantastic screen presence, bringing a real depth to his comic performance that seemed to come out of nowhere.  Ricky Gervais and Stephen Merchant’s writing is as brilliant as ever, but it’s Warwick Davis’ performance that elevates the show from being more of the same, into something outstanding.

You can watch Life’s too Short now on BBC iplayer by clicking on this link

Fortune Cookies Needs You!

Posted in Uncategorized on November 8, 2011 by Gorilla

Fortune Cookies, a heart-warming, cross-cultural family comedy, from new producer Becky Adams and new writer/director Brenda Lee, to be shot in the East Midlands and London in 2012. Accompanied by an educational scheme where young people will have a real impact on the production of a commercial movie whilst also aiming to increase their engagement with the key themes of learning, literacy and livelihoods.

Reelscape Films has just launched a crowd-funding campaign where the public are able to purchase vouchers for experiences or exclusive offers related to the Fortune Cookies, this will help fund the film itself as well as the educational programme.

www.fortunecookiesmovie.co.uk 

Gorilla Film Magazine at Kino London

Posted in Events, Film Nights, News, Promotional with tags , on November 4, 2011 by Gorilla

Last night Gorilla Film Magazine went along to Kino London, the open-mic night for filmmakers that encourages creative collaboration and supports short film production. None of the films that are screened are pre-selected, so everyone gets a chance to show their film regardless of quality, which might go some way to explain how we managed to get Ways of Using Gorilla screened. The night was held at the Vibe Bar, on Brick Lane, and the venue was packed, full to burst. Being the shameless, capitalistic Gorillas that we are, we took the opportunity to plug our merchandise, and managed to sell ONE Gorilla T-shirt! We were so proud of ourselves, and we’re that little bit closer to printing issue 4!


Incidentally, if you’d like an exclusive GFM T-shirt, visit our website shop

We all had a lot of fun at the night, and really enjoyed the incredible range of short films, each casually introduced by their respective filmmakers. The best thing about it was the general feeling of goodwill, everyone was highly encouraging, bursting into applause at the drop of a hat. Here’s how Kino describes itself:

Kino London’s monthly open-mic film night is the only film night of it’s kind in London. Filmmakers register in advance to screen their short at the next event, sight unseen. There are no themes, no pre-selection and no restrictions, other than that films be under 6 minuteson dvd, and include the Kino London logo at the end, just for our screening.

Filmmakers turn up with their film on the night, introduce it personally then stick around to discuss their work with audience and filmmakers alike. ‘Challenges’ are awarded to rule-breakers – a film that the audience decide the filmmaker must make and screen at Kino London.

Kino also runs a monthly filmmaking Challenge which is open to anyone who wants to work on a short – in any capacity. The film idea is provided by the audience, and the short is produced in the 30 days between screenings. More details here

Not only has Kino encouraged us to go along to more short film screenings, but it’s made us want to get out there and make more films. So watch this space, because Gorilla Film Magazine will be working on many more film projects in the near future. And I expect all of them will have the soul purpose of shamelessly promoting the magazine. Go capitalism!

Frozen Planet: Attenborough Is a Windswept God

Posted in Reviews, Television with tags , , , , on November 2, 2011 by Gorilla

It was inevitable that the latest instalment of the David Attenborough story would be the usual jaw-dropping spectacle. It is stimulating yet soothing, a fascinating audio/visual display of technical prowess, creating satisfying wonderment, at the little blue/green planet, within its viewer.

Frozen Planet somehow manages to top the lot. It’s first episode aired last week, to the ends of the earth. Embarking on an engaging narrative, starting out from the North Pole and neatly concluding at the South. Attenborough of course opens the show, in all his glory. It’s funny how looking like a slightly blubbery windswept Muppet can only gain more respect for the man, but that really seems to be the case. Attenborough, at his ripe old age, steals the show as always, by travelling to each of the earth’s respective poles, despite being 85.

The real jewel in the crown of the show, however, is the poignancy of the series. As Attenborough tells us time and time again most of these wonders have only just been discovered and very soon, due to global warming, they may be gone. Some of the more recent Attenborough shows had begun to loose a little of their informative weight, instead feeling a little too much like a cinematographers wet dream. Frozen planet is, of course, of the same beast, visual fixation is a central theme, but this one feels closer to the bone, the arctic is more ferocious, its big, its abrasive, it’s bloody freezing and what happens there ultimately influences proceeding all over the globe. It’s not a glistening little frog jumping off a leaf into a pond in slow motion, it’s a whole fucking glacier hundreds of metres long crashing into the sea! BAM!

Frozen Planet is the big bad cousin of BBC Nature franchise. Everyone’s going to watch it anyway so all I can say is; when the time comes you won’t be disappointed.
Frozen Planet is currently available to watch on BBC iplayer.

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